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Body Home Fat Dance

Body Home Fat Dance

Of the many things that dance can be about, what about the simple concept of feeling joyful in our own bodies? Alas, that's easier said than done.

In many styles of dance, there is a centuries old expectation that female dancers be dainty, delicate and waif-like and male dancers should be masculine and powerful. But times are changing and perhaps it's time to change that expectation too.

At 12 years old, KT Kusmaul was told by her ballet teacher "you're good enough to play the role, but I can't have you on stage in a tutu with legs that big." Those words, at that age, stick with you. Still, KT remained an avid dancer until age 20 at which point if you don't go the professional route, there becomes less and less opportunity to perform and stay involved. Her performance engagements drifted more towards drag, burlesque and gender performance, and in her career, she became a nurse.

After many years of pushing through her own mental barriers of questioning 'who should be a dancer' and 'what is dance', she knew she wanted to get back into it, but taking any old dance class was tough. She feels that even classes that claim everybody is welcome, don't often work out that way. "It's hard be show up, let alone feel safe to dance, in a class where I have good reason to believe people are uncomfortable with or shocked by my size. I'm more than just a few pounds too fat to be taken seriously as a dancer, and I think it makes people uncomfortable. This is the culture that we grew up in. It's hard to separate ourselves from that." KT doesn't necessarily blame people for having this mindset, but rather she recognizes that people often hurt others in the way they've been hurt. Still, it's a mindset she's determined to move past, and she wanted to create a space that really is safe for fat bodies to dance, grow and reclaim joy within their own bodies.

So she decided to start a fat-centric dance class, and see how it went. Originally in a space that could only hold 10 people, she immediately started maxing out the capacity. Currently she is in a space that can hold up to 24 and now offers classes in an 8 week series. These are also maxing out. "There is so much desire in the fat community for any fat-positive experience, not just dance." At least a third of the class has barely taken dance before. Another demographic is people who were dancers as kids, but were told they were too fat to dance.

Just a year in, KT has undeniably built a solid community. In addition to weekly classes, she's coordinated a collaboration with another fat-centric dance group out of NYC. Fat Girls Dance is an online movement towards body positivity and self-love through the celebration of dance. Using her class setting, KT and Body Home created video that was then featured in the Fat Girls Dance weekly video drops. She explains how these videos had an impact on class. "Unsure how my dancers would feel about being on video, I soon realized that this collaboration gave a purpose for being vulnerable and helped create representation that others would benefit from. There was a double healing as dancers had to ask themselves, can I be brave enough to do this? and will that create representation for other people that is meaningful? Some of the best class attendance is on video days."

Body Home also had their debut stage performance at a pop-up fashion show in Portland called Knock Out. This is a direction KT would like to move more into in the future - finding more opportunities to get out there and perform.

For more info and to get involved yourself, check out their newly launched website! In the mean time, consider re-examining your own perceptions of who can be a dancer. Doesn't everyone deserve to feel the joy of movement within the body that is their home?

OIBA’s Annual School Performance

OIBA’s Annual School Performance

Company Name
Oregon Internatonal Ballet Academy
Lincoln Performance Hall of Portland State University
November 4, 2017, 7:30 pm - November 4, 2017, 9:00 pm
In celebrating Oregon International Ballet Academy’s anniversary, we are excited to bring to the community our 2017 annual performance:

Part I:
Swan Lake Act II, Stage by Xuan Cheng after Lev Ivanov
Part II:
World Premiere: Black and White, Contemporary Ballet Choreography by Ye Li

Run time: 90 minutes

Guest Star Performers:
Xuan Cheng - Artistic Director of Oregon International Ballet Academy + Principal dancer of Oregon Ballet Theatre
Brian Simcoe - Principal dancer of Oregon Ballet Theatre

Featuring OIBA students and live music by members of the Metropolitan Youth Symphony and Music Director Raúl Gómez

OIBA is committed to providing the best curriculum and training to our dancers. Please support us and help our young dancers achieve their dreams and shine on stage.

Buy tickets@

Box office information:
1825 SW Broadway - 1st floor Lobby.
Monday - Friday from 9am to 5pm. 503-725-3307

Artist Stories 2017 – Mizu Desierto

Artist Stories 2017 – Mizu Desierto

Take a moment to listen to this Artist Stories conversation with Dance Wire Ambassador Mizu Desierto of Water in the Desert. Our topics include why you have to be a little bit crazy to pursue life as a dance artist, how the wisdom and meaning of dance progress as a dancer ages, and the unique sense of community dance can offer. We even expand the definition of dance for those stuck with the perception that dance requires knowing fancy moves! Instead, just open your heart and take a tour inside. It may just be the spark that changes your life.

Artist Stories 2017 – Jack Stocklynn

Take a moment to listen to this Artist Stories conversation with Jack Stocklynn - aka Sir Cupcake- an aerialist, circus performer, and the mastermind behind Sir Cupcake's Queer Circus. In this conversation he reveals why movement has been so important to him, his creative process for producing a show (you'll be surprised at how it all begins), and what he hopes to say through his work. More than anything, he is a beautiful, hilarious human that you should get to know, or you'll be missing out.